![]() Strive to keep the bass part tight and well defined beneath the ringing melody. In other words, when you see the rhythm in Ex. The trick is to visualize the combination of opposite-stemmed parts as a single rhythm figure. ![]() Opposing stemming makes it easier to indicate precise note duration, but often makes music harder to read. 1c makes it easier to see both these figures coalesce into a single rhythmic motif-i.e., 1a + 1b = 1c. Combined, these moves produce the Travis-picking pattern. Repeat the two examples until each feels comfortable. Next, pluck the open-string melody notes in Ex. Use downstrokes to pick the alternating E quarternotes in Ex. (These examples are notated for a pick-and-middle-finger technique, but you can also play them fingerstyle.)īegin by fingering an open-E chord. The first step is to get a handle on the basic Travis-picking technique, which phrases three melody notes over an alternating octave bass line. When recording the Gene Vincent/Cliff Gallup tribute Crazy Legs, Jeff Beck discovered that he couldn’t re-create the vibe until he turned his amp down and played with a much lighter touch. No feedback or regen allowed, and don’t even think about modulation! A touch of tremolo is cool, but save the reverb for your surf gig. Start with a 50ms delay time and increase it according to your mood. (If you’re a Strat-cat without a neck/bridge pickup modification, use the neck, middle, or combined positions for rhythm, and reserve the bridge pickup for solos.)įor an authentic sound, you’ll need a healthy dose of single-repeat slap echo. Combine the neck and bridge pickups, dial up a clean tone with a hint of edge, and you’re ready to bop. If you don’t have a Gretsch, you can get the job done with a two-pickup guitar and a small amp. For rhythm work, it’s hard to beat the sparkle and shimmer of a hollowbody Gretsch. Tab, notation and Power Tab files available here.īefore playing a note, it’s essential to get the right tone. Read on for the full rockabilly guitar lesson… Listen to a steady diet of rockabilly, practice diligently, and before you know it, you’ll be ready to rock the joint all night long. If the moves don’t come easily, be persistent. The riffs, chords, turnarounds, and endings in this rockabilly guitar lesson will give you a firm grasp of rockabilly basics. Whether you dig blues, jazz, or country, rockabilly has something for you. Since then, rockabilly has been a vibrant color in the electric guitarist’s palette. Thanks to the Stray Cats, rockabilly made a resurgence in the early ’80s. Suddenly records of that era by Elvis Presley, Johnny Burnette, Gene Vincent, and Ricky Nelson jumped with new, juiced-up energy.įrom the mid ’60s through the 1970s, a small group of fringe artists kept the rockabilly fire burning, recording mostly on private labels. In themid ’50s, when rockabilly pioneers such as Scotty Moore, Paul Burlison, Cliff Gallup, Joe Maphis, and Carl Perkins hot-rodded the basic Travis fingerpicking pattern, all hell broke loose. You can trace rockabilly back to Merle Travis.
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